As I work on the query and synopsis for my completed story, I’m also working on the next one.
It’s actually quite exciting. In the past I’ve struggled with “starting”. It seemed the story I just finished – and its characters – had taken hold of my heart and mind and wouldn’t let go. I’d try to work with my new characters but hear the old character’s voices.
So… starting this new work immediately after finishing the first had me a little on edge, wondering if I could do it so quickly or if I had to let some time pass. Well… so far, so good. I think I’ve finally worked out a system that blends the needs of my muse, me and story.
I was a workshop diva – signing up for every and any workshop that came my way. I’ve modified some of them, taken parts of each that ‘spoke’ to me and blended them into a method of plotting and creating character that I enjoy. For my past work, I was a true pantser. Just typing away as the story came to me. I’m very happy with those stories. And I love the memory of writing them. The thrill of hearing the character’s voices in my head, seeing them move and interact, then rushing to the computer to get it all down. So exciting.
But I spent a lot of time revising those stories. A LOT. Pantsing like that just wasn’t working for me the way I thought it was. I, apparently, need some direction. My Gemini spirit is too flighty and must be guided – though not restrained.
And so… I now work with Laurie Schnebly Campbell’s Fatal Flaws, Sue Viders Character Diamond, and Karen Docter’s W-Plot (the latter of which, closes by incorporating a subdued ‘storyboard’ that, when properly done, transfers beautifully into a synopsis). I highly recommend each of these workshops. For me, parts of each of them make the characters come to life. With a little work, their deepest desires are revealed along with the conflict they’ll face trying to achieve those goals. Finite details are not disclosed, that happens during the writing process. What’s left is a planning stage that’s not only fun (for me), but also edges me closer to writing the story.
My synopsis and query are nearly ready to go. And this time, while I wait for a response, I’ll be doing what I love most – writing the next story with my notes there to help keep my excited Gemini muse on track… or at least close to that track. 🙂
I had such a great experience with my Book-in-a-Week class that I just can’t keep it to myself. Soon I’ll be posting an interview with the Book-in-a-Week mistress, herself, since she’s graciously agreed to speak with me here. I’ll keep you posted on when that will happen.
Meanwhile, book-in-a-week (BIAW) fever is still soaring for me. Before this latest story, I’d spent a lot of time revising other work. Starting something new after all that time was tough. That’s why I accepted the BIAW challenge in the first place – to fan the fire under me again. Yowza! Did that fire get fanned!
A lot went into preparing for this challenge, by the way. I didn’t just take the class and have at it. I’m a workshop junkie. I love them. LOVE them. Love the interaction, the push, the praise, the hints on how to make things better. I love it all. What I especially love is plucking out the gems that work for me. And that’s how I see workshops… like panning for gold. You never know when or where you’ll find that one brilliant nugget.
I’ve found quite a few brilliant nuggets. Some of my favorites came from workshops like –
Shelley Bradley’s Storyboarding (scroll down on linked page to find workshop info)
Mary Buckham’s …. anything!!! … Pacing, Sex on the Page, One-on-one Synopsis and more.
Laurie Schnebly Campbell’s … again anything!!! … Fatal Flaws, Plotting via Motivation, Block-busting (putting the joy back in writing) and more.
And now, of course, April Kihlstrom’s Book in a Week.
Nuggets from each of these workshops have helped me set up the structure of my WIP, so when the day came to take up the torch and run, I was ready. I think what’s happened in the past was a blind desire or need to write without the necessary prep-work. I’m a pantser who likes to plot – but only a tiny bit. What I’ve learned over the years is that my needs and methods shift with each new story. For some, I need more plot details before I start, for others the details are like quick sand.
Each story is unique and requires a fresh approach. I like it that way. Maybe it’s the Gemini in me, who knows. Point is, I’ve learned there isn’t one set formula for writing a book. It’s a fully customizable process with handy upgrades. The workshops I’ve taken have taught me about those upgrades and how to apply them when necessary.
Are there golden nuggets in your writer’s toolbox? If so, what are they and where did you find them?
When I posted the picture of my finished W-Plot worksheet in my last entry, I was afraid it might be a bit frightening. I posted it anyway, hoping that I’d explained it well enough to calm suddenly tense nerves. I don’t think I did, so I’d like to do that now… but I’ll do it without going into detail about the process since no one can (or should try to) explain it the way Karen Docter does.
The completed W-Plot worksheet looks involved because it’s an accumulation of a lot of tiny bits of information. Truth.
In order to get to the final worksheet – which I posted – all that’s necessary is to jot down an OVERVIEW of your character’s throughlines. Face it, stories start with an idea. As you spend time on that idea, it becomes more developed, even if only slightly so.
Now, if you’re like me, thinking too hard about a story before you’re ready to write it is the same as giving anesthesia to your muse. That’s why I love the W-Plot. The beauty of it is indeed it’s simplicity.
Let’s work with the hero – Where is he at the beginning of your story? At what point does he realize what he needs to do for the next 20 chapters? Is it when he learns the jewels have been stolen? Let’s go with that… that’s the high point for your hero because even though stolen jewels suck, pardon my French, he has a solid starting point. He’s got to find who stole them and why, AND get them back without getting himself killed in the process.
Now… getting from that high point (Plot Point 1) to the final high point, (Plot Point 9), is going to be a roller-coaster ride for Hero, with severe drops and slow rises. Your nine points are just highlights of his story with as much or as little detail as YOU want to include.
The reason my finished W looks so intimidating is because I’ve included everyone’s plot points there in the order they’ll occur. It’s like looking at a skeleton of my story. Everything is somehow connected but not yet filled in. THAT’s the fun part. THAT’s the part a pantser muse eagerly awaits. THAT’s when a storyboard truly becomes a treasure if you want to flesh out your W even further… with specific scenes.
Honestly, IMHO, these two tools used properly and in tandem, will make writing/telling/enjoying your story that much easier. Oh, and in case you’re not convinced… a completed W, when organized the way Karen explains, makes writing the dreaded synopsis easy as pie.
So… as many of you know… I’m a writer. Within the writing world, I’m what’s known as a “pantser”, meaning, I’m not big on plotting out an entire story before I write it. I’ve tried it that way and have lost all the excitment of putting fresh words and ideas onto the page.
There was one method I truly enjoyed, though, and that was the storyboard. I’d taken an online workshop with Shelley Bradley and it was amazing. You can be an avid plotter or a simple pantser and still use her method. What it does is organize your thoughts. As they come to you, you jot them down in as much or as little detail as you want (on a post-it) then slap them onto the storyboard in the spot you think they will fit. Of course, there is more to it than that, but after a while, it seems that easy. It’s also fun to see the post-it’s pile up. They’re color-coded, too, so that makes it a super visual tool.
Here’s one of my completed storyboards – ain’t it purdy? 🙂
Another exciting method I learned, use and highly recommend, is the W-Plot. What an amazing tool. Karen Docter gives that workshop, and I can’t say enough about it. Basically what it does is help outline (don’t shudder at that word, it’s not really an “outline” but more like a “highlight” of…) your plot using only nine major plot points for each main character. It’s much easier than I’m probably making it sound, and it is so very worth it.
A finished W might look intimidating at first (even second and third) glance… BUT… I can’t stress enough how simple it truly is. Of course, it forces you to think, but the panster in me stuck around for the entire process without one fainting spell. Truth!
Now, prepare yourself…
Here’s what a finished W looks like with all the plot points (36 total – 9 for the Hero, 9 for the Heroine, 9 for the Villain and 9 for the romance) highlighted in a different color.
See how each plot point in it’s proper place makes the story flow?
If you have the opportunity to take either or both of these classes, I HIGHLY recommend them. Of course, I’m a workshop junkie, so there are many more workshops I can tell you about. Until then… check these out and tell me what you think.
What about workshops you’ve taken? Which ones do you have safely tucked into your writer’s toolbox?