Lord Voldemort is no Gellert Grindelwald.
Why? Because as a villain, a dark lord, Lord Voldemort was so extreme, so vile and hateful and cruel, that he was easier to see as fictional than the insidious Gellert Grindelwald who easily wins people over to the dark side with soft words, a gentle touch and a deceptively calm demeanor.
Anyone who has stopped by here knows my love for the Harry Potter stories, and how much I admire the way they shaped the reading habits of an entire generation. My own daughter grew up with the books – reading them numerous times in English and in Russian.
Naturally when Fantastic Beasts came out, we were eager to dig into that adventure as well. Though not as spellbinding as Harry’s story had been – with the newness of it all: Hogwarts, Hedwig’s Theme, wands, cloaks, magical spells and good against evil – Fantastic Beasts and Where to Find Them as well as The Crimes of Grindelwald, do have their own magic. Their own newness. Their own sense of foreboding.
As a charismatic and cunning villain, Gellert Grindelwald, confidently stood in the center of a crowded arena and told the people who had come to hear him speak of the evil that we, the ‘others’ – the muggles/no-majes – would inflict upon the world. He did not lie to them. He had no need to. Instead, in a blinding and vivid vision, he showed them coming horrors and destruction. Horrors and destruction described in our own history books. Horrors and destruction we cannot ignore, forget or deny.
Yet Grindelwald’s plan to prevent it all – a plan willfully applauded by many in attendance – was darker, more horrific and destructive than what already seemed fated to come. Sadly, he offered only one of two nightmare scenarios. And each was tainted by the lust for total dominion of one people over another ‘lesser’ kind.
The pitting of one people against another, the vilifying of whole groups, of blaming them for all the world’s ails…is as
old as time. That’s why I find Johnny Depp’s portrayal of Gellert Grindelwald so terrifying. He’s refined. Beautiful. Charming. Yet beneath that compelling mystique there seems to be a bubbling cauldron’s worth of power and emotion.
Warnings signs are all around us, in plain sight. They have always been. Yet while
generation after generation adopts the slogan: “Never Again”, that same frightening and divisive call to arms is too often repeated. In film as in real life.
Anyone who knows me knows I’m not a fan of creepy critters. Of course, I realize if they’re not in my home but rather somewhere outside, then they’re where they’re supposed to be, and I will, mostly, leave them alone.
However, about a week ago, I happened to look out my dining room window and noticed a nest of some sort in the city tree at the curb in front of my house. It was quite large – and quite active, with what I thought were bees or yellow jackets busily flying in and out of it non-stop.
Turns out, they weren’t bees or yellow jackets. They were hornets.
I would assume this would frighten most people. However, for someone like me, with allergic reactions to simple mosquito bites, this was an absolutely terrifying discovery.
I calmed myself, though, after realizing, again, that this nest was in a city tree. Naturally, I ASSumed, the city would be responsible for it. I figured they’d want to know about it right away so they could take care of the situation before someone got hurt.
NYC – and other cities, I’m sure – has a policy that hornets fall into the category of “beneficial pests”, which I find both oxymoronic and ridiculous. Yes, I get it. Hornets, as predators, rid us of other pesky flying insects. In fact, hornets are so adept at reducing the number of destructive garden pests that the agricultural industry voluntarily uses them as a natural weapon to protect crops.
Yes. You read that right; they voluntarily deploy hornets into their gardens/fields as a natural pesticide.
That’s all well and fine, I suppose, and I do feel a certain respect for them now that I’ve learned that they are, indeed, ‘beneficial pests’. But they can also kill someone like me –yes, KILL – if provoked, agitated or otherwise disturbed. And hornets attack as a group, each releasing a chemical to alert the others of a rumble, and the others will swarm with a ‘one-for-all-all-for-one’ focus. They will die for the hive. As if that isn’t enough to fuel nightmares for weeks to come, each one of those things can sting repeatedly so…
Not my idea of beneficial…not when they’re as close as this colony is to my front door, and not when their nest is sitting above a very busy street/walkway where kids ride their bikes and neighbors walk their dogs.
So back to my efforts to make some headway with City Hall…
I spent this past week on the phone hoping to find a way to get rid of this nest. While I now realize killing the colony isn’t the way to go, my first thought was just that. Destroy the damn thing. I truly believed the city would feel the same way and send someone to spray the nest with something that would completely destroy it and everything inside.
Upon calling the city, I was informed that to do anything with this nest, I would first need to apply for a “tree-work permit”. That permit would come from the city, and it would be free. However, I would then have to find someone, on my own, who would not destroy the nest but *relocate* it. And…all costs related to that would fall on me. Once I found someone who would indeed relocate the nest, I’d have to provide their name to the city…and hope for their approval. If they did approve, then I would have to wait for the permit to arrive before any work could be started.
Knowing how speedy the city can be, I figured all that might happen somewhere around the winter holidays. If I were lucky.
Well, after three days and several more phone calls to 311, I finally received the application for the permit that was supposed to have arrived in my inbox within 24 hours of my first call.
Step one – done.
Step two – ha. Do you have any idea how difficult it is to find someone to relocate a hornet’s nest?
For me, it was impossible.
I called various city offices with no luck, and then I called the state. The state was surprisingly easy and pleasant to deal with, and they showed concern and interest regarding my plight. A lovely gentleman I managed to reach by phone even provided me with an email for a beekeepers association. Additionally, through the state’s website, I found emails for a local arborist and for the city’s Parks Department.
Unfortunately, after contacting each of these groups, showing pictures and explaining to them how large and active this (to-me) terrifying nest was, and how close it was to my house, they all said that it was too high for them to reach. It seems 25-30 feet – which is about the height of this nest – is the natural height for a hornet’s nest and, as such, is unlikely to be dangerous to passersby. Or so I was told. My personal jury is not buying that fact. I was also told, repeatedly, that I should realize – and be comforted by – how beneficial these insects are.
I do realize. I’m not comforted.
And yet, it seems, I will need to wait until November, by which time the colony should die out, leaving only the queen to hibernate through the winter. Come spring, she’ll go to a new nest somewhere far from my tree.
And that is the only plus I see in this whole frightening scenario – that a hornet’s nest is built for single use. Once the colony abandons this one, no hornet will ever come back to it.
Until they leave, however, everyone will know where to find me – cowering behind the curtains in my dining room, counting off the days until those killer stinging machines have gone.
By the way – while the sight of this nest has me breaking into a fear-filled sweat, it seems these nests are often seen as works of art. It’s true, I suppose, they are magnificent structures – the one in front of my home is the size of a football and the external layers are indeed compelling to gaze upon.
But, apparently, once abandoned, there are some people who have actually taken hornets’ nests down from their trees – or eaves or wherever they happen to be hanging – slice them in half and display them as wall art.
FYI – I will not be doing that.
One hundred and ten people in Somalia died of starvation within the last 48 hours. Starvation due to drought. Starvation. In 2017.
But it’s happening “over there”, so we don’t see it, we don’t feel it. It seems we don’t even know about it or… dare I say… care about it.
About 363,000 acutely malnourished children in Somalia “need urgent treatment and nutrition support, including 71,000 who are severely malnourished,” the U.S. Agency for International Development’s Famine Early Warning Systems Network has warned. – Associated Press
Is it because we’re overwhelmed? Is it because we feel we’re incapable of preventing such horror? Is it because we’ve grown immune to the suffering of our fellow human beings? Of the aged, the infants, the mothers watching their children die?
Have we grown that cold or have we always been that way?
I’m editing this here to add an update regarding the cold reality of our times as the Trump Administration just, heartlessly, announced cuts in aid to starving nations. A question was asked during the budget director’s conference: “Are you worried that some of the most vulnerable people on earth will suffer?” To which Director Mulvaney callously responded: “We’re absolutely reducing funding to the UN and to the various foreign aid programs. That should come as a surprise to no one who watched the campaign.”
You can watch the video here (please do look past the liberties the poster of this video has taken with graphics and other special effect and listen to what’s actually being said):
We have to demand our tax dollars leave a detailed trail from our hands to their destinations. I want to know my money – money I don’t really have but spend because I am obligated to do so as a citizen of the US, and because I want to be part of the betterment of my community, both local and global – is going to places where it can do good. Where it can provide shelter, food and clean water to those in need. Where it can provide roads and education. Where it can provide proper, unrestricted healthcare. Where it will help to see that everyone has at least a chance to thrive.
If we can’t muster some concern for our extended human family then maybe we need to look closer. What would you do if your family were suffering as these people are? I wonder what would I do if I had to leave whatever I had – everything I had – carry my famished children as I struggle to take my family where help might be. What would I do if I arrived there, after watching others take that trek with me – some making it the whole way, others dying en route – only to realize there are too many of us seeking aid – medicine, food, water. What if I were told there was no help in sight. The drought that devastated my community had spread. There simply is no water.
The death toll, which was announced Saturday, was the first Somalia’s government has made public since it declared the drought a national disaster on Tuesday. The United Nations estimates that 5 million people in this Horn of Africa nation need aid, amid warnings of a full-blown famine. – Associated Press
We can’t pretend it won’t happen here. Our climate is changing. Temperatures are rising – as are sea levels. Crops are failing. Droughts alternate with flooding, each wreaking havoc. Scientists warn us it will get worse… that means there will be more climate refugees as times goes on.
When we find ourselves in need because of this, who will help us? Who will feed our crying children? Who will provide a sip, a life-saving sip, of clean water?
And why should they? Especially if we turn our back on them, on the cause of their plight and on what we could have done to mitigate at least some of these destructive changes to our climate.
We are one world. One people. Oceans may separate us. Walls may hinder us. Ideology might spark contention…or, perhaps, conversation. But we are supposed to be our brother’s keeper, are we not? And we are taught that we should treat our brothers and sisters as we wish to be treated.
Well, I wish to be cared for in my time of need. I wish to be celebrated in my time of joy. I wish to be someone who cares for and celebrates others the same.
These people wish only for food and water so they might survive.
What is your wish?
Today would have been Freddie Mercury’s 70th birthday. As a life-long fan of the man, I know he wouldn’t have been on stage “prancing” about at this age, but I have no doubt he’d still be creating beautiful music. He might have even recorded a few songs himself – with that voice. That amazing, soaring voice.
No one knew it for sure, but he had less than a year of life left in him when he recorded this song. He was exhausted and in pain, yet he stuck with it, “downed some vodka” and, according to Brian May, Queen’s guitarist, he “lacerated the song” with his voice.
And that he did.
This one has always given me chills.
If you’re a Fred-aholic like I am, then you might also want to listen to this version of the same song – with Freddie’s vocals isolated:
My sincere thanks to QUEEN and to bart1997rinaz for posting these videos on Youtube.
My muse has been known to take wrong turns now and then, wandering as it does in a never-ending search for something dark and mysterious or sparkley and fun to play with. Because of that never-ending quest, it’s not uncommon for my wandering muse to wind up caught in some murky, quick-sandy bit of gray matter. How do I lure it out? Exercise, coffee, daydreaming… and writing prompts. Bits of story fodder lie everywhere but when the muse is otherwise occupied, they can be hard to find, or, once found, impossible to develop.
A story prompt sits right in front of your eyes, luring the muse from that darkened corner, tempting it with just what it’s been seeking. A dark and mysterious idea or a fun playful place in which to frolic.
Today, my muse has been lured by Jon Nathanial Corres and Willow Raven and my thanks go to them for providing a beautiful and magical writing prompt. You should see it full size – and can find it here – Willow Raven – BLUE SATIN SASHES.
Along with the prompt came a challenge which was, actually, posted in June even though I’ve just found it now. The challenge is to write a short piece inspired by the Blue Satin Sashes image… and, of course, a short piece has the potential to grow into a larger piece… unless the muse steps into quicksand again.
I’ve accepted the much-needed challenge, and I have titled my short piece: His Again. This was fun to write and I hope you find it fun to read.
Here’s a small version of Willow’s stunning visual prompt:
Snow filled the air like down from a pillow, softly floating in waves playful and billowy. White and innocent, it shimmered in the moonlight, unfazed by the cold and dark.
He held out his hand, palm up, to capture the beauty. It faded, wounded by his heat, writhing until only a single droplet remained. Cold, small. Gone.
A low rumble of hooves broke through the silence, and a golden light bobbed in the distance. Snow stirred from the ground as the carriage neared and falling flakes scattered as to clear a path far and wide.
With a small nod and a touch to the brim of his hat, he welcomed the bundled coachman. And then on he strode to the carriage door.
Through the small window, he saw her. Her white winter cloak, as innocent as snow. Her bonnet tied beneath her chin with a blue satin sash.
He met her gaze, and saw moisture there. It was from cold, he would believe, for despite the past, she had chosen to see him again.
She rose and he hesitated, not wishing to mar such exquisite beauty. She waited. Her eyes, blue as the satin, challenged.
He dared hold out his hand, palm up, to capture the beauty. And she laid her hand upon it. Cold. Small. It did not fade but remained. Solid and warming. His to hold once again.
What do you think? Did the image stir your muse? I loved writing this short and would love to read yours, too. If you write one, please let me know in the comments.
My writing organization membership just expired. By choice. I had been a member of the largest organization for romance authors for more than a decade. I’d made some amazing friends during my time there. I found my writer’s ‘voice’ and I learned to trust my process. Well, recently, new rules were applied within the organization about what it meant to be a member of it, and what it meant, by extension, to be considered in “serious pursuit’ of a career in writing. I realized, then, that my vision did not in any way match that of the new board of directors, and the direction of the organization did not fit with my personal plan for myself as an author. And so, I chose to let my membership lapse.
Writing is a solitary act. I don’t mind that, but I do like to interact with others in the industry. Fortunately, since I made a number of writing friends over the years, I am now part of another group of writers who value the level at which each of us stand now and where we hope to be – as well as what route we might choose to take to get there. There is nothing quite as fulfilling as belonging to a group that doesn’t force you to conform or make you feel inferior for choosing your own course.
And that brings me to the huge writer’s conference planned, this year, in NYC.
I attended the last writer’s conference in NYC four years ago. Thousands of authors were there. Editors from big publishing houses were there and available. Literary agents were there, as were authors who had already reached the golden ring – Sylvia Day, Sherrilyn Kenyon, Kate Pearce, Cherry Adair…
And then there were the rest of us. Thousands of us each vying for the same readership, the same golden ring.
The keynote speech at the luncheon was phenomenal. A tale of overcoming outrageous and discouraging odds. It was funny and sad and cheer-worthy. The unpublished and published writing awards were thrilling. How wonderful to celebrate with other authors, those who finaled, and those who took home the coveted awards.
There was one winner in each of the two contests. There were a handful of successful authors who signed books, gave workshops, and otherwise engaged those of us who had yet to reach that status but instead remained unpublished.
Where did we fit in? Was there even room for us? Would anyone notice if we weren’t there? Would anyone miss us? Care? Would it make a difference in our own pursuit – gee, is it “serious” enough? – if we attended every workshop or instead chose to rub shoulders with the more successful? Was there a path to follow? A yellow-brick-road leading to publication?
How about a path to some self-confidence or a way to look at all the other wannabes, wish them the best, yet still believe in yourself and your own chances? Was there a way to convince your muse that, yes, you have something unique to say, something readers will enjoy enough to buy. Perhaps a way to view your own process as one of pleasure not one of pressure – pressure to beat out every other wannabe vying for success in the romance genre.
Some of the workshop lecturers told attendees the genre they coveted (in my case, Romantic Suspense) was a dying genre and that no one made it in that genre unless they’d already created a name for themselves in it (this was actually said during one workshop which directly contradicted another). Some workshop lecturers offered tried and true methods for getting an entire story down in just a couple of days. Others offered advice on how to revise an entire novel in one week.
It was all fascinating and clearly worked for each of the speakers. Their enthusiasm soared as they spoke and offered advice and guidance – all of it, in my experience, generous and freely presented.
I was pumped when I left, thinking I could refer to my notes and the experience and forge a new path for myself. One lined with encouraging signs and constant forward motion.
Instead, my muse fell silent.
The vast amount of advice was overwhelming enough, but when dissected and compared and, therefore, exposed as contradictory or non-applicable to ‘my’ situation, or just plain awkward given the way I need to work… it became a jumble of nonsense for me. A muddled vision of the huge undertaking that still lay ahead for me… and the thousands more who wished to one day see their own name on a book.
It took months to get myself psyched again. To wake the muse, to rework the creative muscles that had atrophied. To realize the methods that fueled the few success stories relayed there were as varied as the stories sitting on bookstore shelves. That the ‘right’ road toward publication might detour into all of those areas – or none – since we each need to follow our own course, as is creativity’s demand.
There is no room for conformity in creativity. There is no one tried-and-true way to advance to a level of success (and no single definition for “success”). To shuffle along with the crowd, to be told what it means to be serious about the craft, to have all of your effort dismissed for not fitting into that definition, is to stifle the muse, crush the spirit and demand conformity… which limits creativity.
I am not attending the conference in NYC because while some authors are encouraged and invigorated by all it has to offer – and good for them to benefit from the experience – the last time I went, I was left doubting my own desires and my own efforts. Had I left there overwhelmed with possibilities, it would have been wonderful – a cause to return – but that was not to be.
So… while a huge flow of there-already and getting-there authors gather in NYC for a few days and nights of excitement and enlightenment, I will thank my lucky stars for the chance to have experienced it once… and for the ability to have overcome its paralyzing effects.
I know now that there is no yellow-brick-road to follow. There is, however, a man behind the curtain. And now that I’ve seen him for who he is, I realize he is no better than I… or any other author.
all images in this post were purchased from depositphotos.com
I have so enjoyed the interviews from this blog hop, and the ease with which it seemed each participating author managed to get their heroes and heroines talking. Patty Blount’s interview from last week, with the brainy and secretive Julie Murphy from her amazing Young Adult novel, SEND, was no different. In case you missed it, you can find that interview on Patty’s blog – HERE.
When I thought about interviewing a heroine from one of my own stories, I hoped the process would be smooth for me as well. As smooth as a slice of creamy New York cheesecake. I would interview Eden Widow, the haunted yet graceful heroine from my second novel, SAFE IN HIS ARMS. Her story was originally a subplot in my first book but it grew into its own.
Eden is most comfortable in her apartment on Manhattan’s Upper West Side overlooking Central Park, so we meet there. I hear her buzzing me into the building seconds after I’ve already walked in behind a woman with two little white dogs wearing pink bows in their hair. We all ride the elevator together and as I watch the numbers climb, I’d swear the little dogs watch as well.
The moment I step into Eden’s apartment, I’m struck by a panoramic view she has of Central Park from her picture window. A desk sits before it, centered, with plenty of space to either side for a clear unobstructed view. A luxurious cream-colored sofa and club chair sit conversation style with enough room to walk around them to be spacious yet cozy. Besides the view, what strikes me most is the array of cheerful flowers in vases placed on every flat surface I see. The flowers are all the same – white daisies and yellow forsythia sprays. They’re in bud vases, bowls, urns, fluted vases… not overdone, just simply lovely. They’re everywhere I look and make me smile, like this space is a happy one because they make it so.
I follow Eden through the living room to a small breakfast nook where she has tea prepared for us. She moves across the rooms with a confident grace, as though her every movement is part of an intimate choreographed dance. She pours my tea and smiles as I thank her for having me. I take a seat across from her at the delicate round table.
“Please feel free to begin any time.”
Her voice is smoky, though not gruff. Her expressive eyes nearly as dark as her black hair.
I take out my pen and notepad and ask the first, rather blunt, question.
She continues to pour the tea, into her cup now. Then she gently sets the teapot down, not looking at me or answering and I wonder if she heard my question. And then she lifts her teacup and speaks again – with that intriguing voice of hers.
“My greatest fear is one which haunts me night and day. It’s the recurring nightmares and whatever truth they’re keeping from me. I want to know what it is as much as I fear knowing.
“I’ve told Luke about them, my brother. It would be impossible not to. We’re not twins, he and I, but we could be, it’s been only us for so long and we couldn’t be closer. Besides, he knows all about my dreams since I’ve had them from youth… from when I… from when our parents died… in a tragic fire…
“That fire started it all… I still smell it. I still feel the heat of it on my face. I still hear my own hoarse screams and pleas from when I fought to go back inside to save them and the fireman held me back. I had nightmares for the longest time after that. They were uncontrollable.”
She sips her tea and I can’t help but look around her apartment. There are candles placed here and there – floating candles, pillars, scented jars. All have blackened wicks. I’m no expert, but I’m a little surprised someone so traumatized by fire would have flame-lit, not battery-powered, candles around.
The light clink of her teacup on the saucer draws my attention back to her.
“Luke was there for me. He understood because he had gone through it, too. He held it together for my sake but when I finally realized how tormented he was by my pain, I found an outlet for it. I took all of the images from my dreams, all of the unanswered questions and disturbed emotions, and turned them into fiction. I adopted the pen name Gerard Blackwood, whose tales of murder and mayhem are depraved and gruesome… and… beloved by an insatiable and loyal audience. The more I wrote, the more time there was between nightmares, until they finally subsided.
But something happened recently…”
She looks at me without speaking, a small uncomfortable smile playing upon her full lips. I sense her apprehension and fear, and realize she’s struggling for composure. I cover her hand with mine and she closes her eyes for a moment. When she opens them she seems stronger.
“I… was assaulted. Here in this very apartment. I… know this because I woke in the hospital with worried faces all around me. Everyone wanted to know what had happened, who I had let into my apartment, did I know the man… but I couldn’t remember. When I tried, panic blurred the memory, blended what happened before, with the fire, with what happened now and… it was all too much… and then the nightmares started again. They’re more violent now, more cryptic, and my writing has become darker because of it… I’m not sure my mind will ever unmuddle the memory of what really happened to me. I wish I could say I am in a state of blissful ignorance but I am not. The memory teases. My greatest fear is that the teasing will stop and the truth will become clear.”
She smiles and though it’s not a grand smile, I am taken in by the beauty of her eyes as it reaches them.
“That is an easy one. Scott Parker. He has been so patient with me. I have dated men before, not many, but enough. At one time I was even engaged to a man I adored and who adored me. Too much, perhaps. Dylan James. He is a beautiful man, strong. Solid. Sooty eyes and hair. He’s part of the family now because his sister married my brother. But he had a tendency to smother me. It wasn’t meant to be cruel, just attentive and… protective, I suppose. Especially when it came to my nightmares. The questions he would ask me about them… sometimes they frightened me more than the dreams.
“Scott is different. He doesn’t push or plead. He’s confident in his own skin. Confident enough for both of us, in fact. He loves me, I know it without question, and I love him, but he does not need to hear that from me at every meeting, during every conversation. He just knows. We can just be, and it’s enough. He trusts me to make my own choices, unlike Dylan, who tried to orchestrate my every move, as though he feared I might shatter…like spun glass.”
She offers more tea and I accept though she does not pour more for herself.
“As an author with deadlines, I have a lot of time to myself. Too much sometimes. I must say, I so look forward to time with Scott. His home upstate is lovely. His property ends where stunning and serene parkland begins, so it looks and feels like it goes on and on. A stroll in the gardens on his property is all it takes to unwind. Especially when he’s with me. I find my most peaceful and fulfilling moments are with him. There in his space…and even here. With him. In mine.
“I do have a secret. It’s one I wish to learn… the meaning behind my dreams. I know something happened to me. Something besides the fire. Something that frightened me so much I have been unable to see it. And so it haunts me. I do not feel the need to keep it secret… yet, there are times, moments, when the answer seems too close, and I turn away. When I awake… I am still unsure what my secret might be.”
Her phone rings and I wait, certain she’ll answer it, but she doesn’t.
“That would be Luke. He and his wife have invited me to dinner this evening. Along with Dylan. Please accept my apologies but I must get ready.”
I understand and say so I as I pack up my pen and notepad. And then a deep male voice comes over her answering machine.
“Hey E, it’s me. Kristen’s craving Mexican now, so no Italian tonight.
Unless she changes her mind again. She still wants the ice cream so
don’t forget to bring that. If you didn’t get it already, you might have
to head into Queens for it ’cause I’m sure I bought out all of Manhattan.
Don’t be late.”
Eden smiles as she walks me to the door. I tell her I hope she won’t have to drive to Queens for the ice cream and she laughs softly.
“Thank you but I won’t need to. I’ve been stocking ice cream for Kristen for months now.”
I step into the hall saying I have just one more question. She waits and I ask.
I see that same effort for composure as before and I wish I could withdraw the question, not wanting to leave her feeling low but rather with that sweet, content smile. She breathes softly.
“If I could ask for one thing, it would be to go back in time and unplug the potpourri pot that overheated, started a fire that destroyed our house… and killed our parents.”
She eases the door closed between us.
I have missed Eden and Scott, and all the other characters from this book. I cannot wait to revisit them and again watch Eden reach her much-deserved Happily Ever After.
Next week’s Character Interview will feature Elizabeth D. Spencer’s heroine, Rebecca Simmons from her Historical Romance, WHEN CUPID CAME TO TOWN. You’ll find that interview on Elizabeth’s blog – HERE
Elizabeth D. Spencer lives on Long Island, New York with her husband, three children, and two energetic Sheltie puppies, Brinkley and Carson. (Named for the dog from You’ve Got Mail and Downton Abbey’s very own Carson, the butler.) She shares a love of history with her family and a love of books. Her days and nights are spent writing. When she is not writing Appellate briefs for the day job, she is busy writing historical romance novels. The greatest challenge has been learning to balance it all. Coffee has been a tremendous help!
This is my first time participating in the #FridayFiveChallenge and I was surprised how much I could do in five minutes when I tried.
Get yourself a cuppa and give yourself 5 minutes.
In today’s online shopping age, readers often base their buying decisions from small postage stamp size book covers (Thumb-nails), a quick glance at the book description and the review. How much time do they really spend making that buying decision?
AUTHORS – You often only have seconds to get a reader to buy your book, is your book cover and book bio up to it?
My Friday Five Challenge is this….. IN ONLY FIVE MINUTES….
1) Go to any online book supplier,
2) Randomly choose a category,
3) Speed through the book covers, choose one which has instantly appealed to your eye,
4) Read the book Bio/ Description for this book,
5) If there are reviews, check out a couple,
6) Make an instant decision, would you BUY or PASS?
And so, here is my contribution –
I chose Romantic Suspense:
Find a copy here from Amazon.com
This caught my eye because of the moody color and ‘frayed’ emotional feeling. It screams suspense and intrigue. Especially since the other romantic suspense covers look more like romance than suspense.
Book Price is listed at $3.99 for Kindle but it’s free right now.
Book Description: Thirty-one year old Grace Ellery survived being stabbed multiple times in Ohio. Two years later, she moves to Murray, Virginia to get a new lease on life.
On her first day of substitute teaching, her new life is nearly cut short when she finds herself in the middle of a shooting that leaves a married couple dead. Luckily, she is saved by Sam Meadows, a cardiologist, but the shooter has disappeared by the time the police come around.
When the shooter tries to kill Grace again, Sam and Grace realize that the killer won’t stop until she is dead. With a killer who has nothing to lose, the question isn’t if the killer will attack again, but when and who will be in the crosshairs. A romantic suspense wrapped in the aspects of life: love, family, forgiveness, danger, and death.
Number of pages 288/46,000 words.
Reviews: Mixed – There are a total of 250 reviews on Amazon.com and 99 of them are 5*.
I skimmed a few and noted several mentioning how ‘different’ the format was – with each chapter being in a different character’s point of view (hero, heroine and villain) AND in a different time-line. I’m not sure how a 46,000-word story would flow with that type of formula. I would think it would feel a bit disjointed but it was mentioned that once you get used to it, the writing is engaging, and the story was tense and exciting. I did read a 1-star review because I always do that and wasn’t sure what to make of it. The reviewer implied a political message on the part of the author and then complained the h/h slept together after the second meeting (not something that reviewer appreciated) and that book ended with a cliffhanger. The same reviewer, in responses to challenging comments on that review, clarified that all sex was behind closed doors and that the story didn’t end on a cliffhanger after all. It was the excerpt of the next book that ended with “to be continued”. I’d say that’s to be expected. Basically, for me, at least, the entire 1-star review was discredited because of those misleading parts of the it (which you had to dig into the comments to see).
Would I BUY or PASS?…… BUY
I went back and forth with the decision whether to buy or pass on this book. It’s free, though, so ‘buy’ isn’t the right word. I love the cover, and the book’s description intrigued me. Someone who thinks she’s escaped from a murderer only to find she’s still a target? It’s the stuff of nightmares. Since it’s ‘romance’ I know there will be a happily ever, so after all that tension, there’s the promise of a satisfied sigh. Who can resist that? And for free, no less. The reason I wasn’t sure about it was the POV and time-line switches mentioned in the reviews. But… that just might add to the intrigue. If not, I won’t buy the second book. If so, I’ll buy it eagerly. And, in all honesty, one of the main factors in my decision to buy this is that rather rude and misleading 1-star review.
I had a scary few hours before the “storm for the history books” was supposed to hit New York. I thought I should share it because, if you’re like me and sit a lot for work, you know this but tend to ignore it.
As a writer, sitting for long periods of time is part of the process. I probably sit more than many writers, though, because I have three jobs and each keeps me in front of the computer for hours (and hours) at a time.
I fidget, I get up for coffee, I let the cat/s lounge across my lap and shift them around when my legs go numb… but I don’t MOVE.
Last Wednesday, I wound up with pain in my leg and thought I’d somehow pulled a muscle (hamstring). I did all the things you should do for sore muscles without thinking further about it. Until Saturday night when I saw how red the back of my thigh was, and by Sunday morning when it was still red but also solid, aching, swollen and hot to the touch.
As I said, I have cats – one of them is 18 years old. I rarely notice pokes and scratches from them anymore. I figured, one of them must have scratched my leg at some point, and I now had a reaction to it, like cat scratch fever.
By Sunday night into Monday, the pain was unbearable and all sorts of thoughts for what it could be tortured my mind.
Monday morning, I made an urgent appointment with my doctor, who questioned me thoroughly about my daily habits. After hearing how I work at the computer all day, she wrote a script for a doppler ultrasound of my leg to check for a blood clot. Two very long hours later, I found out I wasn’t going to die from a clot that could have been in my leg and suddenly broke off to lodge in my lung.
I have cellulitis (so I might have been right about the cat-scratch), and the antibiotics I’m on should clear it up soon enough. They’re already helping.
BUT… once my doctor heard about my routine – of sitting for hours at a time, day after day, she knew my risk of clots was pretty high up there.
So is yours if you sit a lot, too.
Her advice to reduce the risk is to sit for shorter periods at a time and really move around. If you want to write for an hour straight without getting up, she said, then do it, but don’t sit in one position. Sit up straight if you tend to lean forward toward your keyboard, put your feet up on a rest under your desk. Lower them. Put your computer on the kitchen counter, and stand while you type. Don’t do your entire day’s workout in the morning and think you’re done. Break up your sitting/writing time with additional five minute workouts throughout the day – even if the time is spent simply going up and down the stairs.
And… don’t sit on the sofa or other soft cushion with your laptop on your lap. We tend to sit ‘folded’ that way, she said, and that causes other problems (I know, I have those too).
The pain I felt Sunday night and the fear I felt about possibly having to deal with a dangerous blood clot – with a blizzard on the way, no less – reminded me how quickly hours can go by when we’re writing, and how easily we can get caught up in the work while forgetting about taking care of ourselves.
Be safe, be smart, be active.
Have you ever noticed how much time you spend sitting in one position? For fun, or not, time yourself. A change of habit is probably in order for you, too.
I was using my treadmill during the day and “between jobs”, but then I stopped, having gotten caught up in the work. I’m bringing it back in and looking at other ways to make sure I don’t put myself at such high risk again.
What are your habits like? Do you have a way to break up hours of sitting?
I’ll be honest from the start – I am a slow writer. For that reason, I’ve resisted participating in NaNoWriMo (National Novel Writing Month) as it rolls around each year. The goal of NaNo is a great one – spend time prepping yourself for a writing marathon then enter the marathon and come out of it with more words on the page than you would have had otherwise. More specifically, the goal is to complete a 50,000-word novel in one month by writing 1667 words per day, every day for 30 days.
It sounds incredibly daunting and it is. However, there is logic within this madness.
I think of it like Christmas, which to me is the greatest time of year. I start planning early – like in the summer. By September I’ve prepared my gift-giving list and might have even started shopping. By October, I’ve planned the menu for Christmas day. By Thanksgiving, the day after actually, my house is decorated inside and out and during that following week, my family holiday picture is taken – kitties included. By the time Christmas day comes around, all that’s on my list is cooking and celebrating. The day itself is a marathon but I love it because all of the nitty-gritty has been tended to prior to the day.
So it is with NaNo. Plot your story early. Do your character charts or interviews, if you normally do those. Create your storyboard or dictate your notes into a digital recorder… whatever you do to prepare yourself before writing a new story is what you should do in the months or weeks before NaNo.
Then, shop. Stock the fridge and even consider prepping meals you can freeze so that during NaNo, you won’t have to worry about meal planning. Clean the house if a tidy house helps you focus on the story. Warn your friends and family that November will be a very busy month for you and you won’t be taking calls or receiving visitors during that month’s writing hours.
Ditch the excuses and the inner editor at the door and give your muse permission to play. When November 1st arrives, you start. No looking back. No revisions, no self doubt, no research. Just forward motion. If you need to look into something further before you add it to your story, add a note saying you need to look into that further but don’t stop to do it now. Do it in December.
Write. Every day. You’d be surprised how, even if you were unsure where your story would go because of some unexpected blip, by staying in the story day after day, by immersing yourself in your characters’ lives, in their setting, in the action and emotion, each day’s writing will get easier. You’ll just know where to go with each new writing session because for this month you, too, will inhabit the world you’ve created.
It sounds wonderful. I so wish I could work this way. I wish I could complete even 1,000 words per day. However, knowing I have to, knowing that is what’s expected of me, stifles my muse. Performance anxiety, I suppose.
Even though the draft written during NaNo is for no one to see but me, I can’t bring myself to just write – or to leave “to be researched” notes in the text. I have to know NOW. I write linearly. (except for when I jump from Chapter 3 to write the final scene, then jump back to Chapter 4). What I write in one paragraph directly affects the next in a way that will not allow me to skip over details in favor of words on the page.
Since November 1st, I’ve written 4,000 words. My personal goal was 1300 words per day. By now I should be up to 18,200 words. I’m writing a novella so that would put me at the midway point. How wonderful that would be – which is why it was my goal.
The reality is very different for me. My process is different. I simply cannot write this way and trying to rework my process to fit the mold has only frustrated me. I value NaNo’s intention. I admire those who attempt it and stick with it – whether they meet the daily goal or not. But for me, it’s not an enjoyable or productive process and so I’ll be sticking to my agonize-over-every-word method of writing, wave at the NaNo marathoners as they zip past me and continue in my own way, at my own pace, and for my own pleasure. I know I’ll be among the last to cross the finish line but I don’t mind because I will cross it.
Embrace your process. Whatever that may be. You should never be afraid to try something new, but neither should you be afraid to say that something new is not for you.
What has your experience been with NaNo? Thrilling? Daunting? Did your experience with it alter your ‘normal’ writing habits or did you revert back to your own process without looking back?