I had such a great experience with my Book-in-a-Week class that I just can’t keep it to myself. Soon I’ll be posting an interview with the Book-in-a-Week mistress, herself, since she’s graciously agreed to speak with me here. I’ll keep you posted on when that will happen.
Meanwhile, book-in-a-week (BIAW) fever is still soaring for me. Before this latest story, I’d spent a lot of time revising other work. Starting something new after all that time was tough. That’s why I accepted the BIAW challenge in the first place – to fan the fire under me again. Yowza! Did that fire get fanned!
A lot went into preparing for this challenge, by the way. I didn’t just take the class and have at it. I’m a workshop junkie. I love them. LOVE them. Love the interaction, the push, the praise, the hints on how to make things better. I love it all. What I especially love is plucking out the gems that work for me. And that’s how I see workshops… like panning for gold. You never know when or where you’ll find that one brilliant nugget.
I’ve found quite a few brilliant nuggets. Some of my favorites came from workshops like –
Shelley Bradley’s Storyboarding (scroll down on linked page to find workshop info)
Mary Buckham’s …. anything!!! … Pacing, Sex on the Page, One-on-one Synopsis and more.
Laurie Schnebly Campbell’s … again anything!!! … Fatal Flaws, Plotting via Motivation, Block-busting (putting the joy back in writing) and more.
And now, of course, April Kihlstrom’s Book in a Week.
Nuggets from each of these workshops have helped me set up the structure of my WIP, so when the day came to take up the torch and run, I was ready. I think what’s happened in the past was a blind desire or need to write without the necessary prep-work. I’m a pantser who likes to plot – but only a tiny bit. What I’ve learned over the years is that my needs and methods shift with each new story. For some, I need more plot details before I start, for others the details are like quick sand.
Each story is unique and requires a fresh approach. I like it that way. Maybe it’s the Gemini in me, who knows. Point is, I’ve learned there isn’t one set formula for writing a book. It’s a fully customizable process with handy upgrades. The workshops I’ve taken have taught me about those upgrades and how to apply them when necessary.
Are there golden nuggets in your writer’s toolbox? If so, what are they and where did you find them?
So… as many of you know… I’m a writer. Within the writing world, I’m what’s known as a “pantser”, meaning, I’m not big on plotting out an entire story before I write it. I’ve tried it that way and have lost all the excitment of putting fresh words and ideas onto the page.
There was one method I truly enjoyed, though, and that was the storyboard. I’d taken an online workshop with Shelley Bradley and it was amazing. You can be an avid plotter or a simple pantser and still use her method. What it does is organize your thoughts. As they come to you, you jot them down in as much or as little detail as you want (on a post-it) then slap them onto the storyboard in the spot you think they will fit. Of course, there is more to it than that, but after a while, it seems that easy. It’s also fun to see the post-it’s pile up. They’re color-coded, too, so that makes it a super visual tool.
Here’s one of my completed storyboards – ain’t it purdy? 🙂
Another exciting method I learned, use and highly recommend, is the W-Plot. What an amazing tool. Karen Docter gives that workshop, and I can’t say enough about it. Basically what it does is help outline (don’t shudder at that word, it’s not really an “outline” but more like a “highlight” of…) your plot using only nine major plot points for each main character. It’s much easier than I’m probably making it sound, and it is so very worth it.
A finished W might look intimidating at first (even second and third) glance… BUT… I can’t stress enough how simple it truly is. Of course, it forces you to think, but the panster in me stuck around for the entire process without one fainting spell. Truth!
Now, prepare yourself…
Here’s what a finished W looks like with all the plot points (36 total – 9 for the Hero, 9 for the Heroine, 9 for the Villain and 9 for the romance) highlighted in a different color.
See how each plot point in it’s proper place makes the story flow?
If you have the opportunity to take either or both of these classes, I HIGHLY recommend them. Of course, I’m a workshop junkie, so there are many more workshops I can tell you about. Until then… check these out and tell me what you think.
What about workshops you’ve taken? Which ones do you have safely tucked into your writer’s toolbox?